Not yet listed on the Amazon page, here are the goodies that will be in this 3-disc version:
Buy,Download, Or Stream Wall-E! Click Here
Standard bonus material:
director’s commentary,
deleted scenes,
short film: Presto,
Buy,Download, Or Stream Wall-E! Click Here
new short: BURN*E,
“Animation Sound Acquire”,
“WALL*E’s Tour of the Universe”;
Exclusive to the 3-Disc Special Edition DVD:
more deleted scenes,
making-of featurettes,
BnL shorts,
documentary film The Pixar Account,
“WALL*E’s Treasures and Trinkets”,
“Lots of Bots”
DisneyFile digital copy.
I am floored. I didn’t believe it was possible for Pixar to surpass Toy Fable, but it has. A sophisticated treat for adults and teens, a cuddly romance for the juice-box station, this comedic science fiction thriller romance (really!) takes the company to a unusual, more venerable level. Filled with artistry, depth, meaning and a lot of humor, WALL-E is a masterpiece. Where Cars was a kid’s movie with added adult themes, this is an adult movie with added value for children.
DIALOGUE SCHMIALOGUE
Before I saw WALL-E I had read about the lack of dialogue, and how it might be a unsafe proceed for Pixar to accomplish a film with characters that don’t talk in a former sense. Well, trash that. The most emotionally noteworthy scenes in this movie are those with the LEAST dialogue. Fully developed and indeed almost human, the two main characters are Wall-E himself (the letters stand for End Allocation Load Lifter-Earth Class; there’s also a WALL-A) and EVE (Extraterrestrial Vegetation Evaluator), two machines in treasure.
After about a half hour I was wondering if Pixar could continue to pull off this less-is-more belief for the rest of the film — then the two robots started playing Pong! Such imaginative screenplay carries the film to what should be a Best Portray nomination. Seriously.
A TOUCHING STORY
WALL-E is a lonely diminutive robotic trash compactor who was left leisurely after Earth was abandoned some 700 years earlier. He has been methodically cleaning up the trash-ridden planet ever since, and harboring a minute plant he has found among the garbage. Eve, meanwhile, lives on the mountainous spaceship Axiom, which is also home to the tubby, blob-like remains of the human urge. She is a probe robot that flies to Earth to settle if the planet is ready for habitation. WALL-E takes one seek at the streamlined, angelic Eve and falls in admire.
It didn’t purchase long for me to tumble in worship with the shrimp robot. As soon as he giggled (after his pet cockroach gratified him) I was zigzag. This hardworking rusty guy with his minute home corpulent of still treasures is so poignant. His lonely life is so human. Eve is unbiased as likable, but grand more sleek. Reach the destroy comes a heartbreaking moment when a key character seems to lose all personality, all self. So well done, it made me contemplate of how families must feel when a loved one disappears inside him- or herself with Alzheimer’s disease.
All ends well, of course. As the credits roll, the artwork illustrates how everyone and everything lives happily after ever.
AN ADULT MEANING
For adults, WALL-E is not so mighty about a cute runt robot as it is about the future of man. What happens when humans become such creatures of the consumer culture, so burly they can’t even stand up without assistance, living literally on auto-pilot, that they do nothing but take cheap merchandise, stuff their faces at the Regurgitated Food Buffet and lie around watching video screens? Can they ever net support to the land and area their souls free? Crosby, Stills, Nash and Young asked that inquire of decades ago; Pixar asks it today.
There is even a sly political reference. Broadcasting a message to the passengers of the spaceship, the CEO of monster corporation Assume ‘n’ Big — played in live-action by the inimitable Fred Willard, and named Shelby Forthright — says they will be continuing on their never-ending, hopeless flee to nowhere because they must “Finish the course!” Hmmm, haven’t I heard a president utilize that line?
EXTRA TOUCHES
WALL-E has so many astounding touches! After the microscopic robot is charged using his solar panels, he “turns on” with a sound any Macintosh owner will behold. The robot’s serene objects, great like the thingamabobs of The Diminutive Mermaid’s Ariel, are things that are uniquely human: bubble wrap, an iPod, a Rubics cube, a singing plastic trophy fish and — blink and you’ll miss it — a carrousel horse from Walt Disney World. Especially inspired are the two things on this future Earth that are totally indestructible: a cockroach and Twinkies.
Stay for the credits. Recalling cave drawings, hieroglyphics, Monet and Van Gogh paintings and early computer graphics, the progressive sequence of art within them sneaks in the history of dialogue-free storytelling.
ANIMATED? REALLY?
The survey of the movie is hard to recount. In one scene, when WALL-E and EVE are investigating a section of bubble wrap, you can’t allege it is an appealing film. It actually appears to be live-action. Likewise, the outer situation scenes have the same level of realism as any of the Star Wars movies. The trailing tower of squiggly smoke that’s left slack by a launching spacecraft re-creates the Florida sky of a Location Shuttle initiate to a T. For the most fragment, it is only when humans are portrayed that you are consciously aware that what you’re watching was generated on circuit boards, not in cameras.
I’ve seen the movie three times, first in digital projection and then from a film projector. The digital showing was worthy sharper, which made all the realistic touches far easier to like.
MOVIE REFERENCES
It’s clear the Pixar folks are movie lovers; there are so many cinematic inspirations in WALL-E that I lost count. The “Effect On Your Sunday Clothes” sequence from Hello, Dolly! shows up — literally — maybe half a dozen times. (Disney World fans may also remember the song as one of the background melodies along Main Street U.S.A.) The Axiom spaceship’s computer is clearly an homage to HAL from 2001: A Location Odyssey; that film’s signature overture “Also Sprach Zarathustra” plays at a key moment. WALL-E himself combines the purrs of E.T., the attitude of R2-D2 and the moves of Charlie Chaplin. There’s a brief reference to Gigantic.
OPENING CARTOON
The movie is preceded by a Pixar short, “Presto,” that had the entire audience I was sitting with in stitches. Its plot: When a magician neglects to feed his bunny a carrot, an escalating effort results. It’s so nice to begin a feature with a cartoon. I wish other studios quiet did it. (Disney fans will heed the magician’s hat is similar to the one aged by Mickey Mouse in Fantasia.)
SOUVENIR TOY
Might as well budget it in: if you pick your kids to gawk this you’re going to be buying a souvenir. Here’s the coolest one I’ve found on Amazon: U Scream Wall-E.
Will it ever accelerate out? This continuous font of imagination from Pixar? With WALL-E, it positive doesn’t glimpse like it.
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